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Rachel Harrison lives and works in New York. Recent solo exhibitions include House of the Dolphins, Rat Hole Gallery, Tokyo (2018); Prasine, Greene Naftali, New York (2017); Perth Amboy, The Museum of Modern Art, New York (2016); Depth Jump to Second Box, Kraupa-Tuskany Zeidler, Berlin (2016); Three Young Framers, Regen Projects, Los Angeles (2015); Gloria: Rachel Harrison & Robert Rauschenberg, The Cleveland Museum of Art, Cleveland (2015); Fake Titel, Kestnergesellschaft, Hannover (2013); Fake Titel: Turquoise-Stained Altars for Burger Turner, S.M.A.K., Ghent (2013); Consider the Lobster, CCS Bard/Hessel Museum of Art, Annandale-on-Hudson, New York (2009); HAYCATION, Portikus, Frankfurt (2009); and Conquest of the Useless, Whitechapel Gallery, London (2010). Harrison will be the subject of a major survey exhibition at the Whitney Museum of American Art, New York, opening October 2019.


Her work is in the collections of The Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Art Institute of Chicago; Los Angeles County Museum of Art; Centre Pompidou, Paris; Stedelijk Museum, Amsterdam; Moderna Museet, Stockholm; and Museum Ludwig, Cologne, among many others.



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