Since the 1960s, Dan Graham has carved out a unique space in the field of contemporary art, combining his work as an artist and as a critic of architecture and art in a unique fusion of theory and practice. From the outset, Graham engaged seriously with the aesthetic and political ramifications of Structuralism, taking the artist's critical perceptions of reality to an increasingly conceptual level... Since the beginning of the 1970s Graham has pursued these and other observations with installations, videos, films, and large-scale pavilions that serve as thought-models for his critical insights.