The first publication in North America devoted to the installation work of the German filmmaker Harun Farocki. Various aspects of Farocki's work including his artistic process, his use of the museum space, his vision machines and the influence of Dziga Vertov on his work are discussed in a series of essays by Harun Farocki, Rembert Hüser, Michèle Thériault, David Tomas and Volker Pantenburg.