ARIA DEAN | Some of It Falls from the Belt on the Walkway beside the Conveyor | Vleeshal Center for Contemporary Art

Aria Dean, fragment from skinning cattle by power 1867 (fig. 122 in gideon), 2022, Plywood and rubber, 96 x 60 inches

ARIA DEAN | Some of It Falls from the Belt on the Walkway beside the Conveyor

Vleeshal Center for Contemporary Art
Middelburg, The Netherlands
July 17 – September 11, 2022

ARIA DEAN
is included in Some of It Falls from the Belt on the Walkway beside the Conveyor, a group exhibition curated by Yaby (Beatriz Ortega Botas and Alberto Vallejo) at Vleeshal Center for Contemporary Art in Middelburg, The Netherlands.

Dean’s work for the exhibition pertains to a recent line of research that examines the conceptual and material relationship between modernity and death. Historical accounts of modernist architecture have obscured the determining role of the slaughterhouse in its early development: agricultural constructions designed to optimize animal slaughtering and carcass waste disposal inspired the creators of the modern style, who abstracted and aestheticized the sharp functionality of the abattoir and its efficient organization of bodies in space. Using rubber — a material used for erasure, absorption and channeling flows —, Dean engraves a digitally manipulated illustration from the section dedicated to slaughterhouses in Mechanization Takes Command, a book by architecture historian Sigfried Gideon. The red wooden structure that holds the engraving mimics a revolving knocking pen door, a piece of slaughterhouse machinery designed to optimize livestock flow whose mechanism is activated when it is hit by the falling weight of a dead body. This kill door recreated in wood becomes the frame for an abstracted image of an abattoir scene.

For more information, please visit Vleeshal Center's website.

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