Greene Naftali

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TONY COKES awarded 2024 MacArthur Foundation Fellowship

The artist Tony Cokes sits in a brown chair, wearing a black long sleeve surrounded by a colorful array of books on bookshelves. In the background, there is a bright window and white lamp.

Now representing the estate of CORA COHEN

Artwork with thick blue, gray, and white brushstrokes in the center on a beige background with areas of purple and green.

On view at IVAM, Valencia | SIMONE FATTAL: Suspension of Disbelief

Gallery with multicolored sculptures, including blue, purple, and various shades of brown, on white platforms in a well-lit room.

On view at UCCA, Beijing | LUBAINA HIMID

Two colorful paintings displayed on a white gallery wall. The painting on the left is a mostly red background with a figure holding a rake; and the painting on the right are of two figures on a blue porch facing each other.

On view at the Wadsworth, Hartford | STEFFANI JEMISON: MATRIX 196

A person wearing white gloves and a sleeveless top gestures with their arms.

JOHN KNIGHT: Rest Stop | Now in print

On view at the Whitney Museum, New York | RAQUE FORD

Raque Ford's billboard on a busy New York street with traffic and pedestrians. The billboard has the words "A little space for you right under my shoe" incorporated into two shoe prints over a pink and yellow background.

At the Aspen Art Museum | ALEX ISRAEL

Current News

At the Hammer Museum, Los Angeles | RACHEL HARRISON, JOHN KNIGHT and WILLIAM LEAVITT

At the Brooklyn Museum | DAVID DIAO

A collection of white geometric shapes on a black background.

At the MFA Boston | TONY COKES

The text “we change ourselves everyday;’” written in neon pink on a neon green background.

On view at Kunstverein Gartenhaus, Vienna | RAQUE FORD

Hand near a calculator and green receipt on a marble countertop with "cry baby" written in pink text. The hand has nails that are the same pink shade.

At the MFA Boston | JACQUELINE HUMPHRIES

Painting with vertical brushstrokes in black, green, blue, red, and gray on a white background.

At the CAPC, Bordeaux | STEFFANI JEMISON

Interior of space with a large ocean mural on the wall and metal framework to the right side of the picture. The floors are black and the building is stone, with two stone arches directly above the mural.

At BAMPFA, Berkeley | ARIA DEAN and JACQUELINE HUMPHRIES

Close-up of a glossy, bright green surface with wave-like folds.

At the Museum of Contemporary Art, Chicago | JACQUELINE HUMPHRIES

Jacqueline Humphries, MN +//ssss, 2023. Painted using various shades of gray and white in a cross-hatched pattern. There is a subtle layer of red also present that is more prominent in certain areas.

RICHARD HAWKINS | Edition with Texte zur Kunst, 2024

Richard Hawkins, Entanglement Titties, 2024, an edition print. In the center is a large closeup of a figure from the neck up, mouth agape, eyes squinting, and eyebrows slightly furrowed. To the left is a portrait of Adam Driver from the neck up, in shades of blue; he stares directly at the viewer. In the lower right is a portrait of a figure from mid chest up drawn from shades of yellow. He is blond with a goatee wearing a patterned top; his right hand rests on his head. The drawing’s background is a swirl of different pinks, reds, and purples. There is a pink flower in the lower right corner.

At the Julia Stoschek Foundation, Berlin | PAUL CHAN

Paul Chan, installation view, After Images, Julia Stoschek Foundation, Berlin, 2024. A sculpture lit by a spotlight in an otherwise completely dark room. In the center is a black inflatable with waving arms. The inflatable is surrounded in a circle by a mix of six shoes attached to yellow, white, and red wires.

At The Aldrich, Connecticut | BRANDON NDIFE

Arrangement with a reddish-brown circular object, metallic star shape, and various textured black elements.

On View at Museum Ludwig | HARUN FAROCKI, LUBAINA HIMID, DIAMOND STINGILY

Harun Farocki, Counter Music (Gegen-Musik), 2004. Video installation, 23:00 min. A split screen; to the left is the facade of a glass building with the words “commercial LILLE” lit up in blue. On the right is the same building facade but during the day time. The surrounding city’s reflection is visible in the window and the words “commercial LILLE” are black.