Greene Naftali

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Now representing the estate of CORA COHEN

Artwork with thick blue, gray, and white brushstrokes in the center on a beige background with areas of purple and green.

TONY COKES awarded 2024 MacArthur Foundation Fellowship

The artist Tony Cokes sits in a brown chair, wearing a black long sleeve surrounded by a colorful array of books on bookshelves. In the background, there is a bright window and white lamp.

JOHN KNIGHT: Rest Stop | Now in print

On view at the Leopold-Hoesch-Museum, Düren | JANA EULER: Parallele Praxis

Oil painting by Jana Euler depicting a close-up crop of a European electrical outlet. The background behind the painting is white.

On view at the Whitney Museum, New York | RAQUE FORD

On view at Musée du Louvre, Paris | SIMONE FATTAL: Voix des antiquités orientales

Simone Fattal wears a white coat and earrings, smiling at the viewer between two dark stone sculptures. The sculpture to the left of Fattal resembles an ancient stone artifact with carved inscriptions.

At The FLAG Art Foundation, New York | LUBAINA HIMID

Lubaina Himid, installation view, Make Do and Mend, FLAG Art Foundation, New York, 2024. Two paintings hang perpendicular to each other on a white wall in a well-lit gallery with wooden floors. The painting on the left depicts two figures sitting at a red table, and the painting on the right depicts two figures sitting at a green table.

On view at IVAM, Valencia | SIMONE FATTAL: Suspension of Disbelief

Simone Fattal, Zhat El Himma, 2006. Photo: Shafeek Nalakath. A stone arch stands on a simple gray pedestal. The arch is a light warm beige with a dusting of gray in some areas. At the arch’s top is a knot of shapes.

Current News

Upcoming at the Wadsworth, Hartford | STEFFANI JEMISON: MATRIX 196

At the MFA Boston | TONY COKES

The text “we change ourselves everyday;’” written in neon pink on a neon green background.

Upcoming at Kunstverein Gartenhaus, Vienna | RAQUE FORD

Upcoming at UCCA, Beijing | LUBAINA HIMID

At Batalha Centro de Cinema, Porto | TONY COKES

Black text on a yellow background that reads "the traces of the traces of the outside."

At the MFA Boston | JACQUELINE HUMPHRIES

At the CAPC, Bordeaux | STEFFANI JEMISON

Interior of space with a large ocean mural on the wall and metal framework to the right side of the picture. The floors are black and the building is stone, with two stone arches directly above the mural.

At the Philadelphia Museum of Art | LUBAINA HIMID

Painting of five figures in colorful clothing against a blue and maroon background.

At BAMPFA, Berkeley | ARIA DEAN and JACQUELINE HUMPHRIES

At the Museum of Contemporary Art, Chicago | JACQUELINE HUMPHRIES

Jacqueline Humphries, MN +//ssss, 2023. Painted using various shades of gray and white in a cross-hatched pattern. There is a subtle layer of red also present that is more prominent in certain areas.

At The Metropolitan Museum of Art, New York | STEFFANI JEMISON

Room with wall display of covers and seating area.

RICHARD HAWKINS | Edition with Texte zur Kunst, 2024

Richard Hawkins, Entanglement Titties, 2024, an edition print. In the center is a large closeup of a figure from the neck up, mouth agape, eyes squinting, and eyebrows slightly furrowed. To the left is a portrait of Adam Driver from the neck up, in shades of blue; he stares directly at the viewer. In the lower right is a portrait of a figure from mid chest up drawn from shades of yellow. He is blond with a goatee wearing a patterned top; his right hand rests on his head. The drawing’s background is a swirl of different pinks, reds, and purples. There is a pink flower in the lower right corner.

At the Julia Stoschek Foundation, Berlin | PAUL CHAN

Paul Chan, installation view, After Images, Julia Stoschek Foundation, Berlin, 2024. A sculpture lit by a spotlight in an otherwise completely dark room. In the center is a black inflatable with waving arms. The inflatable is surrounded in a circle by a mix of six shoes attached to yellow, white, and red wires.

At The Aldrich, Connecticut | BRANDON NDIFE

Arrangement with a reddish-brown circular object, metallic star shape, and various textured black elements.

HARUN FAROCKI on view in 24/7: Work Between Meaning and Imbalance | Kunsthaus Graz, Austria

Nojus Drąsutis, The Pool Cleaners, Vilnius 2017, from Antje Ehmann, Harun Farocki, Eine Einstellung zur Arbeit / Labour in a Single Shot, 2011–ongoing. A man hunched over, presumably shoveling, immersed in water. The ground is a grimy white and green with an unclear engraving.

On View at Museum Ludwig | HARUN FAROCKI, LUBAINA HIMID, DIAMOND STINGILY

Harun Farocki, Counter Music (Gegen-Musik), 2004. Video installation, 23:00 min. A split screen; to the left is the facade of a glass building with the words “commercial LILLE” lit up in blue. On the right is the same building facade but during the day time. The surrounding city’s reflection is visible in the window and the words “commercial LILLE” are black.