Greene Naftali

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JANA EULER | Book Launch & Conversation | Artists Space, New York | April 17

Installation view of book launch with cover of “Exhibitionism” projected on wall, pink room lighting, and black frame chairs.

LUBAINA HIMID will represent the UK in 61st Venice Biennale

TONY COKES awarded 2024 MacArthur Foundation Fellowship

The artist Tony Cokes sits in a brown chair, wearing a black long sleeve surrounded by a colorful array of books on bookshelves. In the background, there is a bright window and white lamp.

STEFFANI JEMISON | Artists on Artists | Dia Chelsea | April 30

Portrait of the artists Senga Negundi and Maren Hassinger in conversation, seated aside a radio and a fabric installation. The image, taken by Harmon Outlaw, is in black and white.

On view at IVAM, Valencia | SIMONE FATTAL: Suspension of Disbelief

Gallery with multicolored sculptures, including blue, purple, and various shades of brown, on white platforms in a well-lit room.

On view at UCCA, Beijing | LUBAINA HIMID

Two colorful paintings displayed on a white gallery wall. The painting on the left is a mostly red background with a figure holding a rake; and the painting on the right are of two figures on a blue porch facing each other.

On view at the Wadsworth, Hartford | STEFFANI JEMISON: MATRIX 196

Installation comprised of a metal beam structure, a blue curtain with stars, and a tableau depicting a floating figure over squiggle marks

Now in print | JANA EULER: Exhibitionism

Current News

On view at Space K, Seoul | SOPHIE VON HELLERMAN: Festival

At AMA Venezia | JACQUELINE HUMPHRIES

At Centre Pompidou, Paris | RACHEL HARRISON

Assemblage of wood pieces in a rectangular tower form, and a photograph hung near the top depicting a chest and a stomach.

At Kettle's Yard, Cambridge | JUSTIN CAGUIAT

Layered abstract painting of organic round forms of various sizes and shapes, and a mix of darker muted hues to bright yellows, whites, and pastel blues.

On view at Contemporary Art Museum St. Louis | SIMONE FATTAL in Like Water

Installation view of four ceramic figurative forms, with two framed collages of photographs on colored paper on the wall behind.

At the Baltimore Museum of Art | BRANDON NDIFE

Sculpture with an amalgamation of plates and organic forms filling a space in a standing furniture piece.

At the Hammer Museum, Los Angeles | RACHEL HARRISON, JOHN KNIGHT and WILLIAM LEAVITT

At Migros Museum, Zurich | RACHEL HARRISON

Multicolored boxes in various shapes and sizes. The room has overhead lighting, gray floors, and white walls.

JOHN KNIGHT: Rest Stop | Now in print

At the Brooklyn Museum, New York | DAVID DIAO

Painting of a collection of white abstract symbols, on a black background.

At the MFA Boston | TONY COKES

The text “We change ourselves everyday;’” written in neon pink on a neon green background.

At the CAPC, Bordeaux | STEFFANI JEMISON

Interior of space with a large ocean mural on the wall and metal framework to the right side of the picture. The floors are black and the building is stone, with two stone arches directly above the mural.

At BAMPFA, Berkeley | ARIA DEAN and JACQUELINE HUMPHRIES

Close-up of a glossy, bright green surface with wave-like folds.

At the Julia Stoschek Foundation, Berlin | PAUL CHAN

Paul Chan, installation view, After Images, Julia Stoschek Foundation, Berlin, 2024. A sculpture lit by a spotlight in an otherwise completely dark room. In the center is a black inflatable with waving arms. The inflatable is surrounded in a circle by a mix of six shoes attached to yellow, white, and red wires.

At The Aldrich, Connecticut | BRANDON NDIFE

Arrangement with a reddish-brown circular object, metallic star shape, and various textured black elements.

On View at Museum Ludwig | HARUN FAROCKI, LUBAINA HIMID, DIAMOND STINGILY

Harun Farocki, Counter Music (Gegen-Musik), 2004. Video installation, 23:00 min. A split screen; to the left is the facade of a glass building with the words “commercial LILLE” lit up in blue. On the right is the same building facade but during the day time. The surrounding city’s reflection is visible in the window and the words “commercial LILLE” are black.

At Tate Modern, London | JACQUELINE HUMPHRIES

Abstract image in red, black, white, and yellow tones, with layers of lines, dots, and marks.

At MUDAM, Luxembourg | LUBAINA HIMID and Magda Stawarska

Painting of a sailboat on top of a striped yellow, orange, pink, and purple sunset.