BRANDON NDIFE profiled by Zoë Hopkins for The New York Times
"Yet the kind of sinister, otherworldly beauty that distinguishes Ndife’s sculptures is anything but generic. In recent years, his work has grown more haunting [. . .] Still, the sculptures seem insistently alive, convulsing on the verge of growth despite their artificiality. Ndife said they remind him of the sprawl of his own being. 'I take up the wild expanse,' he said, 'and I’m just myself.'"